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Professional microphone systems for acoustic instruments: folk acoustic guitar, gypsy guitar, classical and flamenco guitar, Celtic and pedal harp, double bass, cello, viola and violin, mandolin, ud, kora and n'goni, piano, hang, handpan, balafon, vibraphone etc.

Contact Microphones

Contact microphones Ischell C1, C2 and C3 are new types of pickups that attach to the instrument with a specific putty audio adhesive. The sound is comparable to an aerial microphone, fidelity, warmth, width, air… With the acoustic insulation and the feedback resistance of a piezo pickup, allowing to play in conditions of high levels on stage. You can easily use it in an amp, apply effects or make clean loops. A revolution in the amplification of many instruments on stage! An innovation Ischell

Miniature Aerial Microphonesaircapt

The aerial microphones Ischell A1 and A3 are miniature condenser microphones with a design studied to be placed closer to the sound on the instrument. It optimizes sound pickup with more gain, less feedback and less ambient noise. Particularly suitable for acoustic situations or as a complement to our contact microphone, they faithfully and very naturally reproduce the sound of your instrument with precision, dynamics and allow comfortable levels on stage without a microphone stand.

Best Sellers

  • inside J48C

    4.98 on 5

    Contact microphone C1, C2 or C3, fixed installation (drilling required), Unbalanced Jack out, works on 9 volt battery, option of volume button or wheel, high levels on stage…

    259,00 - 368,00
  • X48C

    4.86 on 5

    C2 or C3 contact microphone, removable installation, 65 cm microphone cable, operates on phantom power, high levels on stage...

    259,00 - 319,00
  • X48JC

    5.00 on 5

    System with remote electronics, fixed or removable installation of the C2 or C3 contact microphone, phantom power with 9v battery option allowing output Jack, native XLR output,…

    299,00 - 379,00
  • J48C

    5.00 on 5

    Contact microphone C1, C2 or C3, removable installation, Unbalanced Jack out, 9 volt battery operation, high levels on stage…

    269,00 - 378,00
  • J-BOX3C

    4.80 on 5

    System with remote electronics, removable installation of the C3 contact microphone, powered by 9v battery, Unbalanced Jack out Hi-Z, strong levels on stage…

    379,00

The last 6 comments

1-70 or 221 reviews
  1. Great mic, used on tenor banjo. Possibility of raising the volume well without any feedback. With a good placement on the banjo, the microphone is perfect!

  2. I had equipped my Esteve classical guitar with a piezo. I was not satisfied with it at all. By dint of looking for information, I became interested in the proposal forIschell - a production of the hexagon. It took me a long time to complete the installation: lots of trial and error, each time requiring the strings to be relaxed and then retuned. This system is worth it! I greatly appreciated the availability of Fischer who, by telephone, was able to guide me very effectively. The result is magnificent ! It is very interesting to try to start playing without the amplification, to soak up the acoustic sound, and, when you put the sound of the amp (Acus 8 in this case) you are surprised to hear exactly the acoustic sound. It's the first time I feel that. Cheer ! I discover a new pleasure to play this classical guitar. I intend to equip my folk guitar with the same system.

  3. A very realistic sound and very insensitive to feedback even with a battery next door we manage to have a very clean acoustic guitar sound. We are very satisfied with it.

  4. very good material

  5. This J48CCB-C3 is a really great product! It took me some time/experimentation to find where to put it to get a good/balanced sound but it was totally worth it. For the last two months, I didn't have to use a piezo at all. Every bass player that have heard me have asked what pickup I'm using. The sound “cuts” through really well and it's easy to EQ. I even used it on a live recording with satisfying result.

    Kristian lind

    Image #1 from Kristian Lind

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