J-BOX3C
389,00€ - 399,00€
System with remote electronics, removable installation of the C3 contact microphone, powered by 9v battery, Unbalanced Jack out Hi-Z, strong levels on stage…
- Description
- Reviews (7)
Description
For gypsy guitar, folk, harp, handpan, kora, oud etc. High levels on stage.
Specifications:
- C3 contact microphone kit Microphone characteristics
- La J-BOX3 works with 1 9v battery (6LR61 supplied)
- Fixed microphone kit options (installation with drilling), special double bass or with double-sided or Velcro mounting plate
- Micro kit/module connection via cable Jack/Jack mono available here
- Unbalanced output on Jack mono
- Autonomy of operation plugged in approximately 250 hours
- Low cut 2 positions available on the box: Flat / 180Hz
- Very high-end through-hole electronics and components, hand-assembled in France
- audio adhesive putty for contact microphone Ischell provided
- Double sided, velcro, provided
- Microphone dimensions: Height 12/13 mm with the putty - Diameter: approximately 25 mm
- Case size: 90X45X30mm
- Online user manual
- Semi-rigid storage case
Joel G. -
I am a double bass player. I already had the old micro-contact from Ischell, which I was quite happy with but which required phantom power on my amp. Not always practical when playing on someone else's amp...
The sound with this latest contact microphone is even closer to the acoustic sound (both with the bow and in pizzicato) and it is much easier to install on the instrument, it has a groove in which the putty is housed, from Suddenly we can test much more easily the appropriate place to position it. This is the number 1 choice recommended in the assembly instructions which is most suitable. The bass frequency cut-off is also very practical (I use it to avoid the risk of feedback).
To add a little presence (this is a matter of taste) I mix it with a Full Circle microphone, 2/3 for the Ischell and 1/3 for Full circle.
This is my favorite microphone out of all the ones I've tested.
Nicholas F. -
Natural sound! With good adjustment with the putty (high enough) and the place where the microphone is positioned, for the best microphone I have for my sitar.
Julien G. -
Very satisfied with the restitution of the timbre of the instrument, and the output level. THANKS Ischell.
Classical guitar
Anonymous -
Wooow I can't believe how good this mic sounds! Stunning performance in stage, so powerful gain level, no feedback at all. Actually Best pick up in the market!
Mr Fischer was so kind and helpful!
I recommend it 100 percent!
Flamenco guitar
Michael P -
The best microphone I have tested on my F type mandolin 🙌
– High level on stage
– Significant feedback margin
– Good frequency response which reproduces the sound of the instrument very well
– Easy to install
Isabel -
This is the first contact mic I have found that reproduces Gadulka's sound faithfully and with serious volume. Jack output means I can use effects pedals and since it's not a condenser there is no chance of feedback. Super convenient and quality construction, well done!
nibras -
Best pickup mic I have ever used in my oud.