Dear customers, please note that we currently have manufacturing/delivery times of up to 4 weeks. Contact us for further details on the shipping of your order if necessary. Thank you for your understanding.

Professional microphone systems for acoustic instruments: folk acoustic guitar, gypsy guitar, classical and flamenco guitar, Celtic and pedal harp, double bass, cello, viola and violin, mandolin, ud, kora and n'goni, piano, hang, handpan, balafon, vibraphone etc.

Contact Microphones

Contact microphones Ischell C1, C2, C3 and C4 are new types of pickups that attach to the instrument with a specific putty audio adhesive. The sound is comparable to an aerial microphone, fidelity, warmth, width, air… With the acoustic insulation and the feedback resistance of a piezo pickup, allowing to play in conditions of high levels on stage. You can easily use it in an amp, apply effects or make clean loops. A revolution in the amplification of many instruments on stage! An innovation Ischell

Miniature Aerial Microphonesaircapt

The aerial microphones Ischell A1 and A3 are miniature condenser microphones with a design studied to be placed closer to the sound on the instrument. It optimizes sound pickup with more gain, less feedback and less ambient noise. Particularly suitable for acoustic situations or as a complement to our contact microphone, they faithfully and very naturally reproduce the sound of your instrument with precision, dynamics and allow comfortable levels on stage without a microphone stand.

Best Sellers

  • inside J48C

    4.98 on 5

    Contact microphone C1, C2 or C3, fixed installation (drilling required), Unbalanced Jack out, works on 9 volt battery, option of volume button or wheel, high levels on stage…

    259,00 - 368,00
  • X48C

    4.89 on 5

    C2, C3 or C4 contact microphone, removable installation, operates on phantom power, high levels on stage...

    289,00 - 399,00
  • X48JC

    5.00 on 5

    System with remote electronics, fixed or removable installation of the C2, C3 or C4 contact microphone. Operates on phantom power, balanced XLR output, high levels on stage...

    329,00 - 449,00
  • J48C

    5.00 on 5

    Contact microphone C1, C2 or C3, removable installation, Unbalanced Jack out, 9 volt battery operation, high levels on stage…

    269,00 - 378,00
  • J-BOX3C

    4.90 on 5

    System with remote electronics, removable installation of the C3 contact microphone, powered by 9v battery, Unbalanced Jack out Hi-Z, strong levels on stage…

    389,00 - 399,00

The last 6 comments

1-6 of 254 reviews
  1. Excellent product. Professionals
    Tool: Kora

  2. Very happy with the device: no more feedback and sound from my cello acoustics preserved in the middle of a rock setup. Easy to place and the advantage is that the device remains permanently fixed, there is no need to reinstall it and fiddle with it at each concert!
    Model C3BHP 55cm + XLR mount
    Tool: Cello

    Image #1 by Sandrine
  3. professional cable

  4. installed by following the instructions carefully, I paired it with a vintage stat B and mixed it in my 2-channel Acoustic Image amp, the whole thing completely satisfies me, you can really hear the sound of my bass on stage and in front of the house.
    Model X48JC4-T

    Image #1 by Anonymous
  5. Realistic sound, through the speaker the cello really sounds like the original, no feedback.
    I already have the C3 for my acoustic upright bass, so I had no doubts

    Image #1 by Martin de Graaf
  6. I've been scouring the microphones for 10 years Guembri and I finally found the microphone that perfectly reproduces my instrument. The acoustic sound of the Guembri is reproduced in all its complexity (skin and strings).

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