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Professional microphone systems for acoustic instruments: folk acoustic guitar, gypsy guitar, classical and flamenco guitar, Celtic and pedal harp, double bass, cello, viola and violin, mandolin, ud, kora and n'goni, piano, hang, handpan, balafon, vibraphone etc.

Contact Microphones

Contact microphones Ischell C1, C2 and C3 are new types of pickups that attach to the instrument with a specific putty audio adhesive. The sound is comparable to an aerial microphone, fidelity, warmth, width, air… With the acoustic insulation and the feedback resistance of a piezo pickup, allowing to play in conditions of high levels on stage. You can easily use it in an amp, apply effects or make clean loops. A revolution in the amplification of many instruments on stage! An innovation Ischell

Miniature Aerial Microphonesaircapt

The aerial microphones Ischell A1 and A3 are miniature condenser microphones with a design studied to be placed closer to the sound on the instrument. It optimizes sound pickup with more gain, less feedback and less ambient noise. Particularly suitable for acoustic situations or as a complement to our contact microphone, they faithfully and very naturally reproduce the sound of your instrument with precision, dynamics and allow comfortable levels on stage without a microphone stand.

Best Sellers

  • inside J48C

    4.98 on 5

    Contact microphone C1, C2 or C3, fixed installation (drilling required), Unbalanced Jack out, works on 9 volt battery, option of volume button or wheel, high levels on stage…

    259,00 - 368,00
  • X48C

    4.86 on 5

    C2 or C3 contact microphone, removable installation, 65 cm microphone cable, operates on phantom power, high levels on stage...

    259,00 - 319,00
  • X48JC

    5.00 on 5

    System with remote electronics, fixed or removable installation of the C2 or C3 contact microphone, phantom power with 9v battery option allowing output Jack, native XLR output,…

    299,00 - 379,00
  • J48C

    5.00 on 5

    Contact microphone C1, C2 or C3, removable installation, Unbalanced Jack out, 9 volt battery operation, high levels on stage…

    269,00 - 378,00
  • J-BOX3C

    4.80 on 5

    System with remote electronics, removable installation of the C3 contact microphone, powered by 9v battery, Unbalanced Jack out Hi-Z, strong levels on stage…

    379,00

The last 6 comments

1-95 or 221 reviews
  1. Very good contact microphone, practical and with a very nice sound reproduction

  2. Microphone installed on my Kamelen'Goni, the reproduction of my natural sound with this contact microphone, is just extraordinary. Nothing is overdone in the sound.
    The sound of the acoustics is just amplified without frills ...
    The microphone was installed inside the calabash behind the bridge…I highly recommend for anyone looking for pure sound…Thank you very much Ischell...

    Image # 1 from Hamid Gribi
    Image # 2 from Hamid Gribi
  3. Excellent! Fischer really takes the time to listen and feel each instrument (in my case a Saz), until he finds the optimal sound! Thanks again for this moment!

  4. Excellent product. I find one hundred percent of the acoustic sound of my guitar. I use the gray putty which takes away a little shine, which I sometimes disliked. Customer service attentive, available and very good advice.

  5. In all seriousness, I am very satisfied with the J48C for my kora. This micro sensor, placed in the calabash and under the bridge allows to have a much better sound than the micro cells that I tested before. The top for the stage. I also use it in the studio in addition to an AKG C451 small diaphragm microphone pair. In short, it has become essential to me! Even if I use the phantom power most of the time, I recommend taking the battery option, it's still practical.

    Image # 1 from Lucas Rizzotti

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