X48XC
349,00€ - 459,00€
System suitable for small or light instruments such as the violin, viola, oud, ukulele, etc. C2 or C3 contact microphone, mini XLR connector, phantom power operation, XLR output, option of transistor or transformer electronics for the C3, 2,2 mm diameter connecting cable, belt clip, high levels on stage, etc.
- Description
- Reviews (8)
Description
Systems with contact microphone X48XC2 or X48XC3. Transistor or transformer electronics option for C3 version
These systems are composed of a module X48X in version 2 or 3, a 2,2mm diameter connecting cable with Mini XLR connector and a C2 or C3 microphone kit adapted to your instrument.
The advantage of these systems is the lightness and miniaturization of the connectors and cables used, particularly well suited to small or light instruments such as the violin, viola, oud, ukulele, cavaquinho etc. but also the possibility of wearing the module on the belt.
Specifications:
- C2 or C3 contact microphone kit. Microphone characteristics
- Length of the microphone kit: 25 cm for violin and viola and 45 cm for other instruments
- Mini XLR turntable to be fixed on the instrument with adhesive putty, double-sided or Velcro.
- All-metal Mini XLR connectors
- Connection cable supplied with the system. You have the choice between a length of 1,2 meters and 2,2 meters depending on whether you want to wear the module on your belt or put it on the ground.
- Phantom power operation from 9 to 48v for the C2 and 48v for the C3.
- For C3 systems you have the choice of transistor electronics for a transparent sound, precise in the bass, fine in the treble, or transformer for a warm, dense and very musical sound.
- 3-position low cut for the C2: Flat / 180Hz / 360Hz
- Low cut 2 positions for the C3: Flat / 180Hz
- Balanced XLR output
- Belt clip
- audio adhesive putty for the contact microphone supplied
- Double-sided adhesive tape and Velcro scratch provided for fixing the microphone kit
- Microphone dimensions: Height 12/13 mm with the putty - Diameter: approximately 25 mm
- Module dimensions: 75 x 30 x 30/35 mm
- Online user manual
- Semi-rigid storage case
Marco Bailon -
Good sound, I use this mic on a nyckelharpa and it's good for me, since it's a very difficult instrument to play amplified… but this mic has a natural sound. After some tries with the putty, I found a sound that's good for me.
Barbara -
Super happy with this microphone and the service Ischell ! I asked to lengthen the cable to avoid attaching the tape to the violin, so I have the fixation on the cushion and do not damage the varnish! The sound is faithful to the acoustic violin, we keep the roundness and expression: vibrato, nuances, accents and effects of the bow come out very well. No saturation on double strings or feedback, unlike other cartridges. I used it for jazz and traditional music (in small ensembles) and have no complaints, it's perfect! In addition, very good customer service and fast delivery, go for it!!
jin -
Very good microphone for violin (I used it for contemporary music). Good service.
French company is convenient for communicating.
Anonymous -
Shukar!
The "ISCHELL“let the soul of my gypsy violin pass through!
Najis tuke (thanks to you) Fischer!
Tshatshimo from “Bijou Horse”
François AGEORGES -
It starts with an excellent contact, we take the time to talk about the instrument, the needs, the solutions. Installation very well explained on the site. Okay, but then the sound? The sound !! it's that of my mandolin, a really acoustic sound, with a slight compression, I love it. Finally a real amplification, it's not a piezo, it's not a microphone in front of the instrument with all its drawbacks, no compromise, it's the solution ISCHELLHey guys, well done!
Guillaume G. -
Very good contact microphone, practical and with a very nice sound reproduction
Anonymous -
I am extremely satisfied with the sound of the contact microphone with an oud! The sound volume that can be achieved without feedback near an amplifier is incomparable to what one could obtain with an aerial microphone, and so much more faithful to the acoustic sound than a piezo pickup or other microphones. contact I tried.
On my floating bridge oud, the contact microphone is installed with the gray putty at position number 2 suggested by the manual Ischell with the low cut deactivated (“flat” position). At a very high volume, I have nevertheless found that the low cut is necessary.
Unlike many oudists who use systems (Ischell or others) with a connector Jack, I opted for the Mini-XLR version as the connectors are smaller and lighter, and therefore less bulky on the ribs of my oud.
ChristyDes -
After having tested several recording microphones with my bass viola da gamba, it turns out that the contact microphone X48 + CVX gives excellent results!
I specify that I am very demanding when the result that I wanted to obtain from my recordings because it is for professional use.
Christy