Use a X-JACK
The dynamics, the frequency range, it's all there. From the small friction of the string to the bow to the fierce hammering of the strings, nuances and timbres are respected.
The bass is ample, the midrange woody, the treble perfectly chiseled,… and air !!!
I play without correction on my amp! If I have to play at a high level and there is a beginning of hook, a simple little blow of equalization and it's settled. The electronics of the preamp are of high quality and extremely discreet.
In recording it is quite simply formidable: I can make the sound recordings in the same room as the drums, without repeating!
I did not give up my piezo pickup, because this one gives a different color to my bass, like another instrument. But it's definitely the contact microphone Ischell which reproduces THE natural sound, which I had never heard before with any sensor, and I have tried a few.
It's been a long time, a very long time since I waited for this. "
Member of the famous "Jus de Bocse" by Médéric Collignon, also with the singer Katerine and the group Francis and his painters, Alban Drache trio, Bruno Réigner and also collaborates with many other artists such as Julien Lourau, Katerine, Geoffroy Tamisier, Michel Portal , Louis Sclavis, Claude Barthelemy, Marc Ducret, Anna Karina etc ...
Below two videos with Médéric Collignon