Gypsy guitar

Used song

They use 2X48 + ACJ for guitars! Below is one of their clips to share without moderation! Go see them in concert! All the dates and their new videos are on their facebook page https://www.facebook.com/ChansondemploiOfficiel

Stephane Wrembel

Stephane Wrembel discovered the microphones Ischell in the United States during the summer of 2012, he then equipped his gypsy guitar with a "inside BOX + CPJ"for his European tour." We just came back from a heavy European tour, Ischell pickups are the very, very best in the market ". Stephane Wrembel http://www.stephanewrembel.com https://www.facebook.com/StephaneWrembel

Maurice DUPONT

Particularly impressed by the sound of the contact microphone Ischell on gypsy guitars, Maurice DUPONT will welcome you in his workshop at 20 rue de Port Boutiers in Boutiers Saint-Trojan (Cognac) to make you discover our systems with the possibility of having it installed in your guitar ... to visit him ! (By appointment) http://www.acoustic-guitars.com/

Romane

Romane used the MK ONE + CPJ system (1X48 + CPJ) (for the recording of rhythm guitars (Mathieu Chatelain and Christophe Lagane) on his latest CD/DVD Album "Roots & Groove Live in Sunset" to be released in April 2011. "I was immediately seduced by the sound of this microphone which perfectly reflects the spectrum of our guitars with warmth, precision, dynamics...

Kevin goubern

Uses an MSK2 + ACPJ (Current model 2X48 + ACPJ) "After trying a lot of systems, finally a combination of true-to-the-instrument pickups with power! It's downright terrible! Class." Kevin Goubern http://www.lacanneaswing.fr/ The two microphones of the system (aerial and contact) are connected to the amplifier which is picked up by a studio microphone.

Daniel Givone

"The MSK2 + ACPJ (2X48 + ACPJ) is without a doubt the best microphone system I have tried. The sound of the contact microphone is exceptionally natural, we really find the sound of the guitar, the wood... It sounds all the time in any amp with precision, presence, gain...! On stage, the level of feedback...