Tribeqa (Josselin Quentin)

Djoss alias Josselin Quentin au balafon (Tribeqa, C2C tour) uses a system ISCHELL BAR40 (one microphone per slide) Below are two tests, the first with hard sticks, raw sound and another video with different effects on the sound. http://tribeqa.fr/

Jean-Yves Alquier

Jean-Yves Alquier installed systems ISCHELLin many of his concept guitars, including the one presented at the 2011 Montreal Guitar Show; the inside J48C placed on my prototype 7-string nylon contrapunctus XV works wonderfully!..." Jean Yves ALQUIER http://www.alquierguitar.com/ An article on the presentation of his guitars at the Montreal show on laguitare.com Below, an absolutely exceptional guitar presented at The Holy...

Maurice DUPONT

Particularly impressed by the sound of the contact microphone Ischell on gypsy guitars, Maurice DUPONT will welcome you in his workshop at 20 rue de Port Boutiers in Boutiers Saint-Trojan (Cognac) to make you discover our systems with the possibility of having it installed in your guitar ... to visit him ! (By appointment) http://www.acoustic-guitars.com/

TARATATA

Benjamin BIOLAY, sound engineers Jean Pierre SPIRLIT / Yann LEMETRE use on tour theX48C on the piano and the 2X48AC on the Harp TARATATA Benjamin BIOLAY: Padam TARATATA Benjamin BIOLAY / Mayra ANDRADE: You will see / Where Nolwenn LEROY will be, Margot VARRET's harp is equipped with a ISCHELL 2X48AC TARATATA Nolwenn LEROY : Tri Martolod TARATATA Nolwenn LEROY / Andrea CORR : Woman of...

Patrick MANET

Use a X-Jack "We put the microphone in the right place, I turn up the volume and I hear the sound of my double bass (much) louder. Everything is there, from low to high, the exact tone of the instrument and even in turning up the amp loud enough. In short, I cracked! In concert, the contact microphone ISCHELL behaves very well, almost at full speed...

Patrice WHITE

Patrice Blanc Master Artisan Luthier adopts the systems ISCHELL "For 30 years and the birth of the electro-acoustic guitar, I have put down almost everything that exists in all brands, each time having the impression of looking for "the least worst". When I plugged the ISCHELL, my very first thought that accompanied the first notes was that we...

Frédéric CHIFFOLEAU

Use a X-JACK “The C1 is a microphone that respects the sound of my double bass, and therefore respects my playing. The dynamics, the frequency range, everything is there. timbres are respected.The bass is ample, the mids woody, the treble perfectly chiselled, ... and air!!!I play...

Romane

Romane used the MK ONE + CPJ system (1X48 + CPJ) (for the recording of rhythm guitars (Mathieu Chatelain and Christophe Lagane) on his latest CD/DVD Album "Roots & Groove Live in Sunset" to be released in April 2011. "I was immediately seduced by the sound of this microphone which perfectly reflects the spectrum of our guitars with warmth, precision, dynamics...

Kevin goubern

Uses an MSK2 + ACPJ (Current model 2X48 + ACPJ) "After trying a lot of systems, finally a combination of true-to-the-instrument pickups with power! It's downright terrible! Class." Kevin Goubern http://www.lacanneaswing.fr/ The two microphones of the system (aerial and contact) are connected to the amplifier which is picked up by a studio microphone.

Daniel Givone

"The MSK2 + ACPJ (2X48 + ACPJ) is without a doubt the best microphone system I have tried. The sound of the contact microphone is exceptionally natural, we really find the sound of the guitar, the wood... It sounds all the time in any amp with precision, presence, gain...! On stage, the level of feedback...